I mention all of this because while I think Quesada is a perfectly nice guy, I always thought his edict would only apply to a tiny magazine like TCI and would never apply to the likes of Wizard, assuming Wizard ever did a feature on Choe.
It's also worth noting that when I posted on Wood's Delphi site saying that perhaps Choe and Wood had been naive to really think that Marvel would ever go forward with such an extreme proposal regardless of what Marvel was saying at the time Wood immediately deleted my post even though it was basically defending he and Choe, for fear that it might upset his masters. Quesada at the time said he would never work with anyone that associated with Choe or gave him a forum. Quesada proceeded to dress me down for giving Choe a forum in the magazine and refused to participate. Choe's response to this rejection was a vicious email that circulated widely all over the internet. Choe's proposal was typically extreme, featuring considerable dollops of sexual deviance and drug use which unsurprisingly wouldn't fly at Marvel. Quesada and Choe had recently had a massive, bitter falling out over Choe's dismissal from Marvel's NYX proposal that he was pitching with Brian Wood.
The Editor-In-Chief of Marvel was actually a big fan of Los Bros work and was glad to discuss them until he learned that Choe was also participating. But years later Choe admitted that his beef had been squashed-Lee was far too big to likely even notice or care about Choe's slam-and the two have since become fast friends and mutual admirers.Īn interesting sidenote to all of this is that way back when I did TCI #6 as a tribute to The Brothers Hernandez I was soliciting comments about Los Bros work from a wide variety of creators and industry types and among them was Joe Quesada.
Jim lee art master cheif series#
1, 1999) Choe blasted Lee (along with a number of others, notably Adrian Tomine) for portraying an asian in one of Lee's series as the stereotypical brainy geek. What's also interesting about this whole thing is that in his interview in The Comics Interpreter (Choe's first print interview way back in TCI #4 Vol. I just need to find the time in the schedule. I think the style would better suit a character like Batman, Deathblow or Constantine, no? The mind races with possibilities. Another time, we were all hanging out in my backyard, talking art as I grilled burgers and pulled out old art from my art collection.Īnyway, he did this for the hell of it but I like it so much that I have to figure out a cool project to do together.
One time, we happened to be in NYC at the same time, and I got a chance along with Ale, Lee and Carlos to see David paint live on a giant wooden board in front of an audience at a church/dance club. He is and has been a huge comic fan and over the years, we have become friends and try to get together several times a year.
Some of you may be familiar with his work as David just recently did the cover art for the latest Linkin Park and Jay-Z album. In general, David's typical work is difficult to describe part graphitti, part porno, all out passion. It's different and I am sure not every fan will feel the same way but I love the energy, the colors, the intensity most of all. Here is an incredible painting fellow Korean artist David Choe did over a printout of my pencils for the cover to Superman #214. Working from the exact same tight pencils, what a radical difference in Choe's image. Dave Choe does his own painted take over Jim Lee's pencils for a published cover for Superman #214. Saw this awhile back and it's certainly interesting.
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